Elias Beauchamp by vagabond ©

Going To Your Death Defiant And Proud


Elias Beauchamp by vagabond ©
Elias Beauchamp by vagabond ©

Puerto Rico is the one of the oldest colony in the Americas. It was a colony of Spain for almost 400 years and has been a colony of the US since 1898. Throughout that whole time Puerto Ricans have fought for their freedom. In the 1930′s the Puerto Rican Nationalist Party, led by Don Pedro Albizu Campos, came to prominence by directly and openly challenging US authority in Puerto Rico. The US responded with increased repression against the Nationalists in the form of arrests, imprisonment and murder.

October 20th, 1935 the founder and leader of the Puerto Rican Nationalist Party Don Pedro Albizu Campos gave a radio address in which he criticizes a program to “Americanize” the University Of Puerto Rico that is being instituted by US colonial interests. A group of students in support of the measure want Albizu declared “Student Enemy Number One”.

On October 24th Albizu is declared “persona non-grata” at a university demonstration. Students in support of Albizu respond in protest. The police are called in to quell the protest and kill four Nationalists. That day becomes forever etched into the history of Puerto Rico as the Rio Piedras Massacre. Eye witness evidence of the massacre is ignored and the police involved in the killing are promoted.

In retaliation for the Rio Piedras Massacre two Puerto Rican Nationalists Hiram Rosado and Elias Beauchamp assassinate Colonel Francis Riggs who is the commanding officer of the police on the island on February 23rd, 1936. Hiram Rosado and Elias Beauchamp are captured by police. The photograph that i visually remixed is of Elias Beauchamp. He’s saluting the camera just before he and Hiram Rosado are executed by a police firing squad without a trial. Imagine the commitment it took to carry out this assassination and to go to your death defiant and proud…

This history is intentionally kept from you. The very nature of it being hidden makes it secret. A secret rebel history kept hidden from you so that compliance to colonial tyranny becomes a bitter pill easier to swallow without the added size and weight of a history of a resistance. Hiram Rosado and Elias Beauchamp’s lives were both cut short by US colonialism in Puerto Rico but their names live on in the secret rebel history that’s whispered in a resistance that will one day build monuments to their sacrifice.

Shortlink: http://wp.me/p1eniL-1km

Right-Side-Up

WHO’S READY?


Right-Side-Up

Who’s ready?

Who’s ready to rip the throats of politicians to silence the lie and clear the air of the noise pollution so the voiceless can be heard…?

Who’s ready to liberate the airwave frequencies of the toxic fascism of fear and financial profits…?

Who’s ready the bite the hand that sustains our hunger…?

Who’s ready to stop taking the medicine that’s making us sick…?

Who’s ready to feed bankers silver spoons either in liquid or solid form, we’ll let them decide…?

Who’s ready to make the cops come out with their hands up…?

Who’s ready to surround theses many Jericho prisons and blow horns for seven days until the walls come tumbling down…?

Who’s ready to level the playing field by swinging a wrecking ball into stock exchanges and driving bulldozers across banks…?

Who’s ready to light a match to the money that’s been blocking the warmth & the light of the sun…?

Who’s ready to pull back the curtain to light up and disinfect the bleak future that’s hobbling in with a bad cough…?

Anyone…?

Anyone…?

Anyone…?

Don’t worry this isn’t an indictment of you, i’m not an armchair revolutionary poet, i’m afraid too, of what they can do…

We know the future fear is greater in comparison to the present fear but i guess it’s not a sure thing until it’s too late…

But when will our future fear, surpass the present fear?

What will it take for our future fear to give us a present courage?

- vagabond ©

Shortlink: http://wp.me/p1eniL-1wc

IMG_4519

SUICIDE SELFIE’S


Go Fuck Your Suicide Selfie series with two-fingered gun to the temple – i have the power to kill myself with myself by myself…

suicide selfie’s

i got new glasses
i can see clearly now
that the blur is gone
i can see what needs to be done
two fingers to the head
pressed up against the temple
i have the ability
to pull the trigger
but do i have the courage
click
from one moment to the next
i’m something different now

- vagabond ©

Props to Adál Maldonado for the concept and the inspiration…
For more Go Fuck Your Selfie’s go here virtually…

Or go here really

Shortlink: http://wp.me/p1eniL-1vA

MACHETERO Goes To School


BRING MACHETERO TO YOUR CAMPUS

MACHETERO is a film that questions and challenges Puerto Rico’s colonial status in a way that brings post-9/11 definitions, ideas and notions of terrorism into play. Theatrically self-released in 2013, MACHETERO has screened all over the world and won awards in South Africa, Wales, England, Thailand, Ireland and New York. Check out the film in its entirety on Vimeo On Demand to determine if it’s right for your classroom or as a campus activity. MACHETERO is a perfect fit for:

  • Latin American Studies
  • Afro-American Studies
  • Post-Colonial Studies
  • Creative Writing
  • Media Studies
  • Film Studies
  • Music Studies
  • English Literature
  • Political Science Studies
  • Pan African Studies
  • Pan Latino Studies

For more information
Email: machetero.movie@gmail.com
Call: 347-772-9186

Other screening events have been sponsored by Latin American, Black, and Asian student groups as well as various social justice groups.

MACHETERO usually screens with a post screening Q&A with writer, producer and director vagabond (me). The film is a dense and layered mix of poetry, music, text, history and post-colonial theory placed within a fictional narrative framework in a manner never before conceived. The film is not just a film about revolution, but is revolutionary in it’s very form.

MACHETERO has engendered discussion, dialogue and debate on a variety of issues. There have been discussions about anti-colonial Puerto Rican history, the history of US imperialism and Puerto Rico’s global connection to the other anti-imperialist struggles. Dialogues have also incorporated the topics of filmmaking aesthetics, underground guerrilla filmmaking tactics, and the role of art as a tool for social change. The film has also sparked debates around  questioning of the definition and use of the terms “terrorism” and “terrorists” and how those terms are defined and used, who defines them and how they benefit from such definitions and labels.

DYLCIA PAGAN

Dylcia Pagan on the set of MACHETERO
Dylcia Pagan on the set of MACHETERO

There have also been MACHETERO screening events in the past that have included former US held Puerto Rican political prisoner of war Dylcia Pagan. Dylcia served 20 years in prison for fighting for the independence of Puerto Rico. Before she went to prison she was a TV producer, journalist and documentarian and so she has a unique perspective on the film and on the power of media in general. She also plays a pivotal role in MACHETERO. Her history and insights into the struggle against colonialism in Puerto Rico and how it’s connected to other global struggles is invaluable.

WHAT FOLKS ARE SAYING ABOUT THE FILM

Chuck D quote

Bill Quigley QUOTE

TJ ENGLISH QUOTE

SAM GREENLEE QUOTE

For more information
Email: machetero.movie@gmail.com
Call: 347-772-9186

Shortlink: http://wp.me/p1eniL-1vf

Arrested

MACHETERO PRODUCTION STILLS


If you haven’t seen my film MACHETERO yet, maybe this collection of production stills will pique your interest…

Shortlink: http://wp.me/p1eniL-1t4

 

LIBERATION DAY TAPES photo by Sam Lahoz design by vagabond ©

The Liberation Day Tapes


The genome of my six-time international award-winning feature film MACHETERO can be mapped right back to the NYC hardcore Puerto Rican punk band RICANSTRUCTION and their first album Liberation Day. When i write i often build a soundtrack to use as an emotional roadmap to guide me through the construction of the script. i often see songs as short stories or reinterpret them as short stories and i take those short stories and try to include them in my writing process.

MACHETERO is a film about terrorism and terrorists and how those terms are defined and by whom. The script was written a year after the terrorist events of September 11, 2001. i was waiting for a more nuanced analysis of those events to take place on a larger scale but they never did and so i wrote the script for MACHETERO and decided to explore those issues in a film. The terrorist attacks on September 11th, 2001 were polarizing and so referencing them in the script seemed counterproductive so i decided to use the struggle for Puerto Rico’s independence and the use of violence in that struggle as a means of liberation to talk about terrorism and terrorists.

RICANSTRUCTION’s Liberation Day was a concept album based around the Puerto Rican independence struggle. So when i was looking for music to inspire my scriptwriting for MACHETERO i was immediately drawn to Liberation Day. The songs from Liberation Day started to insinuate themselves into the script and they eventually became a part of the structure of the film.

At the end of the final sound mix for MACHETERO my friend and fellow filmmaker Omar came by and brought his camera to interview Arturo and Joseph Rodriguez about how Liberation Day came into being. Artie and Joey talk about how RICANSTRUCTION came about and how the concept for Liberation Day took shape. Arturo and Joseph talk about the ideas and the creation of each song and afterward there is the corresponding scene from MACHETERO.

Liberation Day by RICANSTRUCTION
Liberation Day by RICANSTRUCTION

RICANSTRUCTION’s Liberation Day is available on iTunes and i highly recommend picking it up. You can hear all the influences of Jazz, Funk, Salsa, Hip hop, Reggae and Merengue placed into a hardcore punk setting in the music of RICANSTRUCTION. The rest of their catalog – the EP Abu Jamal and their 2nd album Love + Revolution are also on iTunes.

You can watch The Liberation Day Tapes on the Vimeo On Demand page for MACHETERO. The Liberation Day Tapes are part of a collection of extra videos that give some background information on the film and that are free to watch. There is also a radio interview i did with Chuck D about the film and an interview i did with Sam Greenlee the author and co-screenwriter of The Spook Who Sat By The Door. There is also a scene from the film featuring former US held Puerto Rican political prisoner of war Dylcia Pagan who plays a pivotal role in the film.

Six Time International Award Winning Film MACHETERO On Vimeo On Demand
Six Time International Award Winning Film MACHETERO On Vimeo On Demand

Shortlink: http://wp.me/p1eniL-1sT

Amor Y Rabia - photo by Sam Lahoz design by vagabond

Come Along


These are scenes from AMOR Y RABIA an unfinished and incomplete film i began shooting in 1999 and 2000 … i’ve posted  a few other scenes from the film… Don’t Want Your Authority and God Is An Anarchist… It was a pre-apocalyptic film about three anarchists who are dissatisfied with the world they live in so they go on a road trip to find a better place. When they don’t find one they decide to start a revolution in order to create a space that will allow them to live in peace. In essence they help to bring about the apocalypse, which seems like a bad thing but when you see the state of the world an apocalypse could be just what we need to turn everything around…

In this scene from the film two of the main characters, Rudeboy (played by me) and Flea (played by my girlfriend Resister) are struggling to live outside of the system. They have set-up home in an abandon factory. i wanted the scene to show that even though they were living hard and for all intents and purposes homeless they were happy…

The film was shot on 16mm Kodak film recans and short ends (film that usually comes in 400′ rolls and isn’t completely shot and either re-canned or left un-shot), with a Bolex… It was a kind of musical where no one sang but music helped to tell the story… The music is a song entitled Come Along by the Black Arks which i think was a Lee “Scratch” Perry production since he had a studio called the Black Ark and the production of the track has Scartch’s DNA all over it…

The film was never completed because due to a lack of funds… And finding the money to make this film was going to be more than difficult because the way that the three anarchists start the revolution is by killing cops. It was an artistic response to the police brutality NYC was experiencing during the mayoral years of Adolf Ghouliani… A piece of cinematic resistance… A push back against the shitstem and its ongoing violence… It’s sad to know that this film will never be completed, it would have been interesting to see how it turned out in the end…

It would have been good to see this film come to fruition because there were so many ideas that i was experimenting with that i really believed wholeheartedly would work. i was trying to create a new cinematic language by incorporating silent era film storytelling techniques and mixing that with music video like units strung together as a kind of musical to allow the story to be told as much as possible through music…

There were other ideas i had wanted to take a risk with, such as shooting all the scenes that had cops in them in video and blurring their faces out like an inverted episode of COPS… Amor Y Rabia never happened… And the chances of it happening in the future are slim to none…  It’s difficult when a project never comes to fruition… like watching a child never grow up… Sometimes being an artist is the best thing in the world… other times it just heart breaking…

Amor Y Rabia - photo by Sam Lahoz design by vagabond
Amor Y Rabia – photo by Sam Lahoz design by vagabond

Shortlink: http://wp.me/p1eniL-1sH

Clandestine Filiberto by vagabond ©

COMANDANTE FILIBERTO


COMANDANTE FILIBERTO
CLANDESTINA CLANDESTINE

In honor of El Grito De lares an interview by Puerto Rican journalist Daisy Sanchez circa 1990 with the FBI’s #1 most wanted man at the time, Puerto Rican revolutionary Comandante Filiberto Ojdea Rios is live and available for rental on Vimeo On Demand. Watch it on your TV, Desktop, Laptop, Tablet or Phone.

The island nation of Puerto Rico has been a colony for over 500 years. It went from being a colony of Spain for 400 years to being a colony of the US in 1898. The US is still to this day a colonial power in Puerto Rico. Throughout that time there has been a long and rich history of resistance to colonialism in Puerto Rico. Filiberto Ojeda Rios figures prominently as one of the great leaders for independence in Puerto Rico.

Comandante Filiberto who was the father of the underground armed resistance movement in Puerto Rico and in the United States. In 1967 he founded MIRA, Movimento Independetista Revolucionario Armado (Armed Revolutionary Independence Movement). Shortly after that he had a hand in forming the FALN, Fuerzas Armadas de Liberacion Nationalista (Armed Forces for National Liberation) in the United States. He also founded the EPB, Ejercito Popular Boricua (Popular Puerto Rican Army) affectionately known as Los Macheteros. All of these groups used clandestine guerilla warfare tactics against the United States in an effort to free Puerto Rico from colonial rule and all of the groups were considered terrorist organizations by the United States.

On September 23, 1990 while awaiting trial for a 1983 Wells Fargo depot robbery Filiberto cut off his electronic shackle and went underground in Puerto Rico. September 23rd is a date significant importance in Puerto Rico. In 1868 there was a violent rebellion against Spanish colonial rule in a mountain town called Lares and though the attempt at liberation did not succeed it brought about an end to slavery in Puerto Rico. Filiberto taking his electronic shackle off on that particular day in 1990 was more than a coincidence.

On September 23rd, 2005 Filiberto was assassinated by the FBI after they attempted to arrest him by surrounding his house in Puerto Rico. He was shot and wounded but left to bleed to death for over 24 hours. His assassination on that particular day was an attempt to kill the spirit of the independence movement.

This television interview was conducted while Filiberto was living clandestinely. From the information that we have gathered the interview took place sometime around 1990, a few months after Filiberto went underground and was the most watched television program in the history of Puerto Rico. At the time of this interview Filiberto was #1 on the top ten list of the FBI’s most wanted. His most wanted status remained until September 11, 2001. The interview was conducted with Daisy Sanchez, a courageous journalist who endured her own trials and tribulations when she refused to give up her sources on how she got the interview with Filiberto,  to the FBI.

COMANDANTE FILIBERTO
CLANDESTINA CLANDESTINE
You can rent and watch the interview on Vimeo On Demand for $2.50 and you have 48 hours to watch it. That’s plenty of time to watch it, digest it, watch it again, think on it and even get a third screening in. Watch it on your TV, Desktop, Laptop, Tablet or Phone.

https://vimeo.com/ondemand/comandantefiliberto

COMANDANTE FILIBERTO by vagabond ©
COMANDANTE FILIBERTO by vagabond ©

Shortlink: http://wp.me/p1eniL-1sw

less than ideal art and ideas for a less than ideal world…

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