Tag Archives: Audio Visual Terrorism

AN OPEN LETTER TO THE WORLD


Dear World,
This is my film No Way Home if you want to watch it, it’s $1.50… If you want to buy it it’s $3… Could i let you see it for free? Sure… But shit cost me $15K to make… and that doesn’t include the labor of my friends and family who worked for free… These co-conspirators are named in the credits of the film, i won’t bore you with names you’ve never heard of (but deserve to be known) and that have no bearing on anything since you haven’t yet seen the film… It would only make this post longer and we all know how shorter is better on the internets… But damn, they are an incredibly talented bunch… and i’m blessed to be able to call them friends and doubly blessed to count them as artistic co-conspirators…
2003-IMG_5447
photo by Sam Lahoz

i shot it on film… Yeah film, 100′ rolls of Kodak Vision 3 • 7213 • 500T stock … On a Bolex connected to a battery belt to power the motor… We shot some of it in Queens and Brooklyn and Washington Heights in upper Manhattan in New York City and we shot some in Valley Of Fire in Nevada and in Red Rock Canyon just outside of Vegas… Some more friends of mine who are musicians and also worked for love, not pay… created a beautiful original improvised score… They’re names are in the credits too…

 

It’s 20 minutes long… It’s about finding god in yourself and in others and fusing the fractured pieces together… It could be a narrative if you believe narratives can be a simple as this… It could also be a non-narrative… i’m too close to know… or care… i hope you like it but i don’t really give a fuck if you do… My friends and i made some beautiful unforgettable memories making the film… and if you watch the film and pay close attention you’ll feel that beauty coming through wrapped up in the images and the sound… Anyway the beautiful unforgettable memories we made are enough with or without a film… There are pieces of this in the film to prove these statements… Watch it… look closely, listen intently, leave yourself open and the reward will come…
i don’t do this film thing for the money… i don’t do it for the love either… Although maybe there’s a kind of love there but if there is, it’s a complicated love… i do this to stay safe, to sane, to stay secure in my own soul, to stay stabile in my own mind… When i’m not making films my blood goes bad, the saliva in my mouth drys up, my muscles get tight and nothing feels right… The demons squat my well being and evict my peace and my worthlessness threatens to rise above my head and drown me… Only making the films eases the pain, reduces the fever, alleviates the ache of feeling too much, makes the waters of worthlessness recede…
Not to say that making the films is not without its own pain, fever and ache… But it’s different… It’s tangible… it’s something that can be touched and held and the problems of filmmaking can all be solved… Unlike trying to find the god within yourself or within someone else and trying to fuse the fracture…
It would be nice if you saw the film… and even better if you got something more than beautiful images and honest poetry and incredible music… It would be good to even make a few dollars to recoup and reinvest into the next film that’s building in me like a storm in the distance ready to test me… again…
Sincerely,
vagabond
No Way Home Sunset Poster
photo by Sam Lahoz design by vagabond

Shortlink: http://wp.me/p1eniL-1P2

ZERO GENERATION


the next generation
zero generation by vagabond ©

zero generation

the future walked in
wearing a gas mask
and clutching her doll
under her arm
in her other hand
she aimed the past at us
and we were confronted
with the mistakes
we purchased
but would never
live long enough
to ever have to pay for

-vagabond ©

Note: April being poetry month i wanted to challenge myself to have a poem with an accompanying piece of art for each day of the month posted in this space here… Share what you like… both online and off…
Shortlink: http://wp.me/p1eniL-1Kk

 

WHO’S READY?


Right-Side-Up

Who’s ready?

Who’s ready to rip the throats of politicians to silence the lie and clear the air of the noise pollution so the voiceless can be heard…?

Who’s ready to liberate the airwave frequencies of the toxic fascism of fear and financial profits…?

Who’s ready the bite the hand that sustains our hunger…?

Who’s ready to stop taking the medicine that’s making us sick…?

Who’s ready to feed bankers silver spoons either in liquid or solid form, we’ll let them decide…?

Who’s ready to make the cops come out with their hands up…?

Who’s ready to surround theses many Jericho prisons and blow horns for seven days until the walls come tumbling down…?

Who’s ready to level the playing field by swinging a wrecking ball into stock exchanges and driving bulldozers across banks…?

Who’s ready to light a match to the money that’s been blocking the warmth & the light of the sun…?

Who’s ready to pull back the curtain to light up and disinfect the bleak future that’s hobbling in with a bad cough…?

Anyone…?

Anyone…?

Anyone…?

Don’t worry this isn’t an indictment of you, i’m not an armchair revolutionary poet, i’m afraid too, of what they can do…

We know the future fear is greater in comparison to the present fear but i guess it’s not a sure thing until it’s too late…

But when will our future fear, surpass the present fear?

What will it take for our future fear to give us a present courage?

– vagabond ©

Shortlink: http://wp.me/p1eniL-1wc

MACHETERO Goes To School


BRING MACHETERO TO YOUR CAMPUS

MACHETERO is a film that questions and challenges Puerto Rico’s colonial status in a way that brings post-9/11 definitions, ideas and notions of terrorism into play. Theatrically self-released in 2013, MACHETERO has screened all over the world and won awards in South Africa, Wales, England, Thailand, Ireland and New York. Check out the film in its entirety on Vimeo On Demand to determine if it’s right for your classroom or as a campus activity. MACHETERO is a perfect fit for:

  • Latin American Studies
  • Afro-American Studies
  • Post-Colonial Studies
  • Creative Writing
  • Media Studies
  • Film Studies
  • Music Studies
  • English Literature
  • Political Science Studies
  • Pan African Studies
  • Pan Latino Studies

For more information
Email: machetero.movie@gmail.com
Call: 347-772-9186

Other screening events have been sponsored by Latin American, Black, and Asian student groups as well as various social justice groups.

MACHETERO usually screens with a post screening Q&A with writer, producer and director vagabond (me). The film is a dense and layered mix of poetry, music, text, history and post-colonial theory placed within a fictional narrative framework in a manner never before conceived. The film is not just a film about revolution, but is revolutionary in it’s very form.

MACHETERO has engendered discussion, dialogue and debate on a variety of issues. There have been discussions about anti-colonial Puerto Rican history, the history of US imperialism and Puerto Rico’s global connection to the other anti-imperialist struggles. Dialogues have also incorporated the topics of filmmaking aesthetics, underground guerrilla filmmaking tactics, and the role of art as a tool for social change. The film has also sparked debates around  questioning of the definition and use of the terms “terrorism” and “terrorists” and how those terms are defined and used, who defines them and how they benefit from such definitions and labels.

DYLCIA PAGAN

Dylcia Pagan on the set of MACHETERO
Dylcia Pagan on the set of MACHETERO

There have also been MACHETERO screening events in the past that have included former US held Puerto Rican political prisoner of war Dylcia Pagan. Dylcia served 20 years in prison for fighting for the independence of Puerto Rico. Before she went to prison she was a TV producer, journalist and documentarian and so she has a unique perspective on the film and on the power of media in general. She also plays a pivotal role in MACHETERO. Her history and insights into the struggle against colonialism in Puerto Rico and how it’s connected to other global struggles is invaluable.

WHAT FOLKS ARE SAYING ABOUT THE FILM

Chuck D quote

Bill Quigley QUOTE

TJ ENGLISH QUOTE

SAM GREENLEE QUOTE

For more information
Email: machetero.movie@gmail.com
Call: 347-772-9186

Shortlink: http://wp.me/p1eniL-1vf

MACHETERO PRODUCTION STILLS


If you haven’t seen my film MACHETERO yet, maybe this collection of production stills will pique your interest…

Shortlink: http://wp.me/p1eniL-1t4

 

The Liberation Day Tapes


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The genome of my six-time international award-winning feature film MACHETERO can be mapped right back to the NYC hardcore Puerto Rican punk band RICANSTRUCTION and their first album Liberation Day. When i write i often build a soundtrack to use as an emotional roadmap to guide me through the construction of the script. i often see songs as short stories or reinterpret them as short stories and i take those short stories and try to include them in my writing process.

MACHETERO is a film about terrorism and terrorists and how those terms are defined and by whom. The script was written a year after the terrorist events of September 11, 2001. i was waiting for a more nuanced analysis of those events to take place on a larger scale but they never did and so i wrote the script for MACHETERO and decided to explore those issues in a film. The terrorist attacks on September 11th, 2001 were polarizing and so referencing them in the script seemed counterproductive so i decided to use the struggle for Puerto Rico’s independence and the use of violence in that struggle as a means of liberation to talk about terrorism and terrorists.

[vimeo 75167575 w=600&h=338]

RICANSTRUCTION’s Liberation Day was a concept album based around the Puerto Rican independence struggle. So when i was looking for music to inspire my scriptwriting for MACHETERO i was immediately drawn to Liberation Day. The songs from Liberation Day started to insinuate themselves into the script and they eventually became a part of the structure of the film.

At the end of the final sound mix for MACHETERO my friend and fellow filmmaker Omar came by and brought his camera to interview Arturo and Joseph Rodriguez about how Liberation Day came into being. Artie and Joey talk about how RICANSTRUCTION came about and how the concept for Liberation Day took shape. Arturo and Joseph talk about the ideas and the creation of each song and afterward there is the corresponding scene from MACHETERO.

Liberation Day by RICANSTRUCTION
Liberation Day by RICANSTRUCTION

RICANSTRUCTION’s Liberation Day is available on iTunes and i highly recommend picking it up. You can hear all the influences of Jazz, Funk, Salsa, Hip hop, Reggae and Merengue placed into a hardcore punk setting in the music of RICANSTRUCTION. The rest of their catalog – the EP Abu Jamal and their 2nd album Love + Revolution are also on iTunes.

You can watch The Liberation Day Tapes on the Vimeo On Demand page for MACHETERO. The Liberation Day Tapes are part of a collection of extra videos that give some background information on the film and that are free to watch. There is also a radio interview i did with Chuck D about the film and an interview i did with Sam Greenlee the author and co-screenwriter of The Spook Who Sat By The Door. There is also a scene from the film featuring former US held Puerto Rican political prisoner of war Dylcia Pagan who plays a pivotal role in the film.

Six Time International Award Winning Film MACHETERO On Vimeo On Demand
Six Time International Award Winning Film MACHETERO On Vimeo On Demand

Shortlink: http://wp.me/p1eniL-1sT

Come Along


[vimeo 107186815 w=600&h=441]

These are scenes from AMOR Y RABIA an unfinished and incomplete film i began shooting in 1999 and 2000 … i’ve posted  a few other scenes from the film… Don’t Want Your Authority and God Is An Anarchist… It was a pre-apocalyptic film about three anarchists who are dissatisfied with the world they live in so they go on a road trip to find a better place. When they don’t find one they decide to start a revolution in order to create a space that will allow them to live in peace. In essence they help to bring about the apocalypse, which seems like a bad thing but when you see the state of the world an apocalypse could be just what we need to turn everything around…

In this scene from the film two of the main characters, Rudeboy (played by me) and Flea (played by my girlfriend Resister) are struggling to live outside of the system. They have set-up home in an abandon factory. i wanted the scene to show that even though they were living hard and for all intents and purposes homeless they were happy…

The film was shot on 16mm Kodak film recans and short ends (film that usually comes in 400′ rolls and isn’t completely shot and either re-canned or left un-shot), with a Bolex… It was a kind of musical where no one sang but music helped to tell the story… The music is a song entitled Come Along by the Black Arks which i think was a Lee “Scratch” Perry production since he had a studio called the Black Ark and the production of the track has Scartch’s DNA all over it…

The film was never completed because due to a lack of funds… And finding the money to make this film was going to be more than difficult because the way that the three anarchists start the revolution is by killing cops. It was an artistic response to the police brutality NYC was experiencing during the mayoral years of Adolf Ghouliani… A piece of cinematic resistance… A push back against the shitstem and its ongoing violence… It’s sad to know that this film will never be completed, it would have been interesting to see how it turned out in the end…

It would have been good to see this film come to fruition because there were so many ideas that i was experimenting with that i really believed wholeheartedly would work. i was trying to create a new cinematic language by incorporating silent era film storytelling techniques and mixing that with music video like units strung together as a kind of musical to allow the story to be told as much as possible through music…

There were other ideas i had wanted to take a risk with, such as shooting all the scenes that had cops in them in video and blurring their faces out like an inverted episode of COPS… Amor Y Rabia never happened… And the chances of it happening in the future are slim to none…  It’s difficult when a project never comes to fruition… like watching a child never grow up… Sometimes being an artist is the best thing in the world… other times it just heart breaking…

Amor Y Rabia - photo by Sam Lahoz design by vagabond
Amor Y Rabia – photo by Sam Lahoz design by vagabond

Shortlink: http://wp.me/p1eniL-1sH