Not4Prophet, vagabond, Resister and Kelvin Fernandez in Viejo San Juan

MACHETERO The 1st APOC Film


La (A) por Amor Y Anarquia - Not4Prophet, vagabond, Resister & Kelvin in Puerto Rico during the MACHETERO shoot
La (A) por Amor Y Anarquia – Not4Prophet, vagabond, Resister & Kelvin in Puerto Rico during the MACHETERO shoot

“Behold your executioners…” – Lucy Parsons

“The only authority is anti-authority.” -from The Anti-manifesto: A Mini Manual For The Modern Day Machetero 

When the idea to create MACHETERO came to me the first thing I wanted to do was tap into the righteous rage that simmers just below the surface of each of us who feel the indignation of an unjust system. I wanted to reclaim the fury that since birth we’ve always been told we have no right to have… I wanted to own that anger so that it could be shaped into action and that action would bring about change.

“Let Fury Have the hour
Anger can be power
Do you know you can use it?”
– The Clash

These authoritative power structures have ingrained this rage, this fury and this anger in an effort to give us the tools to destroy ourselves. It’s the fear instilled in us from the system, the intimidation from the powers that be, the retribution of authority that keeps us from completely owning the rage, the fury and the anger that when focused and used correctly has the power to set us free.

“The nature of your oppression
Is the aesthetic of our anger.”
– Crass

The character of Pedro Taino (played by Not4Prophet) was someone who owned his rage and used it as a tool to destroy the very things that were trying to destroy him and his people. The ownership of that rage is something that i saw in Puerto Rican freedom fighters like Dylcia Pagan, Filiberto Ojeda Rios, Oscar Lopez Rivera, and Lolita Lebron. i also saw it in the struggles of other people like Kuwasi Balagoon the Black Liberation Army member turned anarchist, Russel Schoatz, a Black Liberation Army soldier, Leonard Peltier the Native American warrior and radical David Gilbert of the Weather Underground. They are all or were US held political prisoners and prisoners of war. It was the real life experiences of these people and others like them that grounded a character like Pedro Taino. It’s Pedro’s acceptance of his rage that sets him on a path to freedom. Without the fear of retribution from those who claim authority over him, he dispels the illusion of power that these powers structures have created and that so many of us have accepted as being real.

“Step aside and i and i will rise.”- RICANSTRUCTION

Pedro Taino is a true revolutionary in that he is creating his own reality, shaping the world into his own vision without permission, approval or validation from the existing power structures, forcing those power structures to deal with him in the most uncreative and unimaginative way possible, by imprisoning him. Placing Pedro in prison and having him talk about freedom created a dialectic that made for interesting cinema. It created a conflict of ideas that would pull the audience in. The 1st question in the film asked to Pedro by Jean Dumont the journalist (played by Issach de Bankolé) embodies this whole conflict…

“Do you find it strange that in your struggle for freedom you find yourself in prison?”
Pedro’s answers…
“No. Just because they’re aren’t any bars on the windows or locks on the doors or guards at the gates doesn’t mean you aren’t in prison.”

Pedro believes in a freedom that will allow him to control his own life without the interference of the self-serving political or authoritative forces that exert power over people’s lives. In his search for his own personal autonomy Pedro realizes that his freedom is tied up with the freedom of his people. Pedro’s then expands his personal sphere of autonomy to encompass the autonomy of his country and the colonial condition it suffers under. This ideology is made clear in the last line of the introduction to the Anti-manifesto, a guidebook that Pedro writes on how to be Machetero.

“The only authority is anti-authority.”
– Pedro Taino

It’s this strong desire for freedom at any cost and his anti-authoritarian approach to achieve that freedom that makes Pedro an APOC (Anarchist or Anti-authoritarian or Autonomous Person Of Color). APOC is a means to deal with the issues that people of color face within a framework that stresses anarchist, anti-authoritarian, or autonomous solutions. Pedro has had to deal with an authority that is designed for the pleasure and benefit of itself. Within that search for freedom Pedro realizes that he’s not the only one and it’s this realization that politicizes his actions and it’s in his actions that he begins to own the rage and the frustration and the fury that will sets him free.

“Wanting to be free, is to begin being free.”
– Betances

However MACHETERO isn’t just an APOC film because the characters in it are APOC. MACHETERO is an APOC film because it was made by APOC’s. i identify as an APOC, Not4Prophet who played the role of Pedro Taino identifies as APOC. RICANSTRUCTION the band whose songs are featured prominently in the film are APOC. If a film is a reflection of those that made it then how could MACHETERO be anything other than APOC?

MACHETERO opens in New York City for a one week limited theatrical run.

WED. JUNE 12TH – TUES JUNE 19TH
CLEMENTE SOTO VELEZ
KABAYITO’S THEATER (2ND FLOOR)
107 SUFFOLK STREET
NY NY 10002
(BTWN RIVINGTON & DELANCEY)

TICKETS $10 http://machetero.bpt.me
SCREENING TIMES • 1PM • 3PM • 5PM • 7PM • 9PM
F Train to Delancey Street or J , M , or Z Trains to Essex Street.
Walk to Suffolk Street, make a left.

Shortlink: http://wp.me/p1eniL-158

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